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                              2.0272. The configuration of objects produces states of affairs.               2.0272. Die

Following the exhibition at our Madrid gallery in 2024 (A ras de suelo > < Estructuras anómalas), Rufo Criado, one of our most experienced and established artists, brings his latest

In his first exhibition at the Gallery, Fisura y aliento (Fissure and Breath), Manuel Diego Sánchez proposes an open-ended process of approaching landscape through fragments, traces, and displacements of the

Abstraction, extraction and distraction are just some of the effects that technology can generate. In her first exhibition at the gallery, Lucía Simón Medina shows us that these concepts are

“Matter ceased to be a matter of content and became a matter of expression.” — Gilles Deleuze & Félix Guattari, A Thousand Plateaus, 1980   In this exhibition, Lucía Gorostegui does not

Ricardo Cavada's artistic career has been inextricably linked to that of the gallery since its foundation in 1988 by Fernando Silió. The bond of trust that arose between the two

I look at the fountain and remember the waterfall that made me cry. The litmus trapped in its stagnant water has much to envy to that fleeting rainbow that splashed

After his last solo exhibition at the gallery, No morder la mano que te da de comer, in 2021, Quique Ortiz presents his latest works under the disturbing title Estoy

Whenever I imagine what it must be like to be inside Laura's head, the opening scene of The Sound of Music immediately comes to mind. Julie Andrews twists and turns

“It smells like iron!” said my friend Sergi when we were coming down from the Mauberme, a craggy peak at the northern end of the Aran Valley, in the Central