{"id":3659,"date":"2020-11-26T17:12:21","date_gmt":"2020-11-26T16:12:21","guid":{"rendered":"https:\/\/39683148.servicio-online.net\/web\/?page_id=3659"},"modified":"2020-12-30T12:20:29","modified_gmt":"2020-12-30T11:20:29","slug":"editions","status":"publish","type":"page","link":"https:\/\/juansilio.com\/en\/editions\/","title":{"rendered":"Editions"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row][vc_column]<div class=\"edgtf-blog-list-holder edgtf-grid-list edgtf-disable-bottom-space edgtf-four-columns edgtf-medium-space edgtf-bl-pag-standard-shortcodes\"  data-type=standard data-number-of-posts=12 data-number-of-columns=four data-space-between-items=medium data-category=ediciones data-orderby=date data-order=DESC data-image-size=ottar_edge_portrait data-title-tag=h4 data-excerpt-length=40 data-post-info-image=yes data-post-info-date=no data-pagination-type=standard-shortcodes data-max-num-pages=2 data-next-page=2>\n    <div class=\"edgtf-bl-wrapper edgtf-outer-space\">\n        <ul class=\"edgtf-blog-list\">\n            <li class=\"edgtf-bl-item edgtf-item-space\">\n    <div class=\"edgtf-bli-inner\">\n        \n    <div class=\"edgtf-post-image\">\n                <a itemprop=\"url\" href=\"https:\/\/juansilio.com\/en\/abraham-lacalle-2009\/\" title=\"ABRAHAM LACALLE (2009)\">\n                        <img loading=\"lazy\" decoding=\"async\" width=\"400\" height=\"577\" src=\"https:\/\/juansilio.com\/web\/wp-content\/uploads\/2020\/12\/lacalle_og_excerpt.jpg\" class=\"attachment-ottar_edge_portrait size-ottar_edge_portrait wp-post-image\" alt=\"\" srcset=\"https:\/\/juansilio.com\/web\/wp-content\/uploads\/2020\/12\/lacalle_og_excerpt.jpg 521w, https:\/\/juansilio.com\/web\/wp-content\/uploads\/2020\/12\/lacalle_og_excerpt-208x300.jpg 208w\" sizes=\"auto, (max-width: 400px) 100vw, 400px\" \/>                    <\/a>\n                <\/div>\n        <div class=\"edgtf-bli-content\">\n            \n            \n<h4 itemprop=\"name\" class=\"entry-title edgtf-post-title\" >\n<a itemprop=\"url\" href=\"https:\/\/juansilio.com\/en\/abraham-lacalle-2009\/\" title=\"ABRAHAM LACALLE (2009)\">\n        ABRAHAM LACALLE (2009)    <\/a>\n<\/h4>\n                    <div class=\"edgtf-post-excerpt-holder\">\n            <p itemprop=\"description\" class=\"edgtf-post-excerpt\">\n                Abraham Lacalle (1962) nos ofrece una imagen ruidosa, llena de referencias narrativas, densa de colores y formas. Esta obra pertenece a la exposici\u00f3n On the road, dedicada a evocar los mitos de la vida en la carretera como lugar de            <\/p>\n        <\/div>\n                    <div class=\"edgtf-post-read-more-button\">\n        <a itemprop=\"url\" href=\"https:\/\/juansilio.com\/en\/abraham-lacalle-2009\/\" target=\"_self\"  class=\"edgtf-btn edgtf-btn-medium edgtf-btn-simple edgtf-blog-list-button\"  >            <span class=\"edgtf-btn-text\">Read more<\/span>            <\/a>    <\/div>\n        <\/div>\n    <\/div>\n<\/li><li class=\"edgtf-bl-item edgtf-item-space\">\n    <div class=\"edgtf-bli-inner\">\n        \n    <div class=\"edgtf-post-image\">\n                <a itemprop=\"url\" href=\"https:\/\/juansilio.com\/en\/carlos-irijalba-2009\/\" title=\"CARLOS IRIJALBA (2009)\">\n                        <img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"600\" src=\"https:\/\/juansilio.com\/web\/wp-content\/uploads\/2020\/12\/irijalba_og_excerpt-550x1100.jpg\" class=\"attachment-ottar_edge_portrait size-ottar_edge_portrait wp-post-image\" alt=\"\" srcset=\"https:\/\/juansilio.com\/web\/wp-content\/uploads\/2020\/12\/irijalba_og_excerpt-550x1100.jpg 550w, https:\/\/juansilio.com\/web\/wp-content\/uploads\/2020\/12\/irijalba_og_excerpt-150x300.jpg 150w, https:\/\/juansilio.com\/web\/wp-content\/uploads\/2020\/12\/irijalba_og_excerpt-512x1024.jpg 512w, https:\/\/juansilio.com\/web\/wp-content\/uploads\/2020\/12\/irijalba_og_excerpt-768x1536.jpg 768w, https:\/\/juansilio.com\/web\/wp-content\/uploads\/2020\/12\/irijalba_og_excerpt-1024x2048.jpg 1024w, https:\/\/juansilio.com\/web\/wp-content\/uploads\/2020\/12\/irijalba_og_excerpt.jpg 1575w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/>                    <\/a>\n                <\/div>\n        <div class=\"edgtf-bli-content\">\n            \n            \n<h4 itemprop=\"name\" class=\"entry-title edgtf-post-title\" >\n<a itemprop=\"url\" href=\"https:\/\/juansilio.com\/en\/carlos-irijalba-2009\/\" title=\"CARLOS IRIJALBA (2009)\">\n        CARLOS IRIJALBA (2009)    <\/a>\n<\/h4>\n                    <div class=\"edgtf-post-excerpt-holder\">\n            <p itemprop=\"description\" class=\"edgtf-post-excerpt\">\n                La fotograf\u00eda de Carlos Irijalba (1979) pertenece a la serie Devices dedicada a analizar los elementos que sirven para designar el lugar del espect\u00e1culo y para reflexionar sobre las herramientas que forman parte de la propia obra. Estos artefactos, estas            <\/p>\n        <\/div>\n                    <div class=\"edgtf-post-read-more-button\">\n        <a itemprop=\"url\" href=\"https:\/\/juansilio.com\/en\/carlos-irijalba-2009\/\" target=\"_self\"  class=\"edgtf-btn edgtf-btn-medium edgtf-btn-simple edgtf-blog-list-button\"  >            <span class=\"edgtf-btn-text\">Read more<\/span>            <\/a>    <\/div>\n        <\/div>\n    <\/div>\n<\/li><li class=\"edgtf-bl-item edgtf-item-space\">\n    <div class=\"edgtf-bli-inner\">\n        \n    <div class=\"edgtf-post-image\">\n                <a itemprop=\"url\" href=\"https:\/\/juansilio.com\/en\/erwin-bechtold-2007\/\" title=\"ERWIN BECHTOLD (2007)\">\n                        <img loading=\"lazy\" decoding=\"async\" width=\"372\" height=\"600\" src=\"https:\/\/juansilio.com\/web\/wp-content\/uploads\/2020\/12\/bechtold_excerpt-550x886.jpg\" class=\"attachment-ottar_edge_portrait size-ottar_edge_portrait wp-post-image\" alt=\"\" \/>                    <\/a>\n                <\/div>\n        <div class=\"edgtf-bli-content\">\n            \n            \n<h4 itemprop=\"name\" class=\"entry-title edgtf-post-title\" >\n<a itemprop=\"url\" href=\"https:\/\/juansilio.com\/en\/erwin-bechtold-2007\/\" title=\"ERWIN BECHTOLD (2007)\">\n        ERWIN BECHTOLD (2007)    <\/a>\n<\/h4>\n                    <div class=\"edgtf-post-excerpt-holder\">\n            <p itemprop=\"description\" class=\"edgtf-post-excerpt\">\n                La obra de Edwin Bechtold (1966) se enmarca en la serie titulada Signos en el espacio, como continuaci\u00f3n de la larga trayectoria dedicada al \u00e1ngulo, la superficie y el espacio. Se trata de un informalismo conciso, di\u00e1fano, de geometr\u00eda elemental,            <\/p>\n        <\/div>\n                    <div class=\"edgtf-post-read-more-button\">\n        <a itemprop=\"url\" href=\"https:\/\/juansilio.com\/en\/erwin-bechtold-2007\/\" target=\"_self\"  class=\"edgtf-btn edgtf-btn-medium edgtf-btn-simple edgtf-blog-list-button\"  >            <span class=\"edgtf-btn-text\">Read more<\/span>            <\/a>    <\/div>\n        <\/div>\n    <\/div>\n<\/li><li class=\"edgtf-bl-item edgtf-item-space\">\n    <div class=\"edgtf-bli-inner\">\n        \n    <div class=\"edgtf-post-image\">\n                <a itemprop=\"url\" href=\"https:\/\/juansilio.com\/en\/manuel-saro-2006\/\" title=\"MANUEL SARO (2006)\">\n                        <img loading=\"lazy\" decoding=\"async\" width=\"372\" height=\"600\" src=\"https:\/\/juansilio.com\/web\/wp-content\/uploads\/2020\/12\/sarost_verde_excerpt-550x886.jpg\" class=\"attachment-ottar_edge_portrait size-ottar_edge_portrait wp-post-image\" alt=\"\" \/>                    <\/a>\n                <\/div>\n        <div class=\"edgtf-bli-content\">\n            \n            \n<h4 itemprop=\"name\" class=\"entry-title edgtf-post-title\" >\n<a itemprop=\"url\" href=\"https:\/\/juansilio.com\/en\/manuel-saro-2006\/\" title=\"MANUEL SARO (2006)\">\n        MANUEL SARO (2006)    <\/a>\n<\/h4>\n                    <div class=\"edgtf-post-excerpt-holder\">\n            <p itemprop=\"description\" class=\"edgtf-post-excerpt\">\n                Manuel Saro (1970) trabaja sobre la forma de representaci\u00f3n pict\u00f3rica del espacio arquitect\u00f3nico y sobre los espacios imaginarios recreados en la recepci\u00f3n. Parte de im\u00e1genes fotogr\u00e1ficas obtenidas muchas veces en los propios interiores en los que se va a celebrar            <\/p>\n        <\/div>\n                    <div class=\"edgtf-post-read-more-button\">\n        <a itemprop=\"url\" href=\"https:\/\/juansilio.com\/en\/manuel-saro-2006\/\" target=\"_self\"  class=\"edgtf-btn edgtf-btn-medium edgtf-btn-simple edgtf-blog-list-button\"  >            <span class=\"edgtf-btn-text\">Read more<\/span>            <\/a>    <\/div>\n        <\/div>\n    <\/div>\n<\/li><li class=\"edgtf-bl-item edgtf-item-space\">\n    <div class=\"edgtf-bli-inner\">\n        \n    <div class=\"edgtf-post-image\">\n                <a itemprop=\"url\" href=\"https:\/\/juansilio.com\/en\/francisco-suarez-2006\/\" title=\"FRANCISCO SU\u00c1REZ (2006)\">\n                        <img loading=\"lazy\" decoding=\"async\" width=\"372\" height=\"600\" src=\"https:\/\/juansilio.com\/web\/wp-content\/uploads\/2020\/12\/suarezsplendens_excerpt-550x886.jpg\" class=\"attachment-ottar_edge_portrait size-ottar_edge_portrait wp-post-image\" alt=\"\" \/>                    <\/a>\n                <\/div>\n        <div class=\"edgtf-bli-content\">\n            \n            \n<h4 itemprop=\"name\" class=\"entry-title edgtf-post-title\" >\n<a itemprop=\"url\" href=\"https:\/\/juansilio.com\/en\/francisco-suarez-2006\/\" title=\"FRANCISCO SU\u00c1REZ (2006)\">\n        FRANCISCO SU\u00c1REZ (2006)    <\/a>\n<\/h4>\n                    <div class=\"edgtf-post-excerpt-holder\">\n            <p itemprop=\"description\" class=\"edgtf-post-excerpt\">\n                Las dos serigraf\u00edas de Francisco Su\u00e1rez (1965) pertenecen a los trabajos reunidos con el t\u00edtulo de Viaje a las flores. Es una obra confidencial, intimista y po\u00e9tica, perteneciente al final de una etapa, en la que se intuye el cambio            <\/p>\n        <\/div>\n                    <div class=\"edgtf-post-read-more-button\">\n        <a itemprop=\"url\" href=\"https:\/\/juansilio.com\/en\/francisco-suarez-2006\/\" target=\"_self\"  class=\"edgtf-btn edgtf-btn-medium edgtf-btn-simple edgtf-blog-list-button\"  >            <span class=\"edgtf-btn-text\">Read more<\/span>            <\/a>    <\/div>\n        <\/div>\n    <\/div>\n<\/li><li class=\"edgtf-bl-item edgtf-item-space\">\n    <div class=\"edgtf-bli-inner\">\n        \n    <div class=\"edgtf-post-image\">\n                <a itemprop=\"url\" href=\"https:\/\/juansilio.com\/en\/mayte-vieta-2005\/\" title=\"MAYTE VIETA (2005)\">\n                        <img loading=\"lazy\" decoding=\"async\" width=\"400\" height=\"420\" src=\"https:\/\/juansilio.com\/web\/wp-content\/uploads\/2020\/12\/vietaen_la_noche_seras_sombra_i_excerpt-550x578.jpg\" class=\"attachment-ottar_edge_portrait size-ottar_edge_portrait wp-post-image\" alt=\"\" \/>                    <\/a>\n                <\/div>\n        <div class=\"edgtf-bli-content\">\n            \n            \n<h4 itemprop=\"name\" class=\"entry-title edgtf-post-title\" >\n<a itemprop=\"url\" href=\"https:\/\/juansilio.com\/en\/mayte-vieta-2005\/\" title=\"MAYTE VIETA (2005)\">\n        MAYTE VIETA (2005)    <\/a>\n<\/h4>\n                    <div class=\"edgtf-post-excerpt-holder\">\n            <p itemprop=\"description\" class=\"edgtf-post-excerpt\">\n                Las dos fotograf\u00edas que Mayte Vieta (1971) nos ofrece con t\u00edtulo tan sugerente son prolongaci\u00f3n de su serie de grandes fotograf\u00edas titulada Cenizas, en la que, con una delicada intervenci\u00f3n en la gama crom\u00e1tica, consigue remarcar la sensaci\u00f3n de irrealidad,            <\/p>\n        <\/div>\n                    <div class=\"edgtf-post-read-more-button\">\n        <a itemprop=\"url\" href=\"https:\/\/juansilio.com\/en\/mayte-vieta-2005\/\" target=\"_self\"  class=\"edgtf-btn edgtf-btn-medium edgtf-btn-simple edgtf-blog-list-button\"  >            <span class=\"edgtf-btn-text\">Read more<\/span>            <\/a>    <\/div>\n        <\/div>\n    <\/div>\n<\/li><li class=\"edgtf-bl-item edgtf-item-space\">\n    <div class=\"edgtf-bli-inner\">\n        \n    <div class=\"edgtf-post-image\">\n                <a itemprop=\"url\" href=\"https:\/\/juansilio.com\/en\/chema-alvargonzalez-2004\/\" title=\"CHEMA ALVARGONZ\u00c1LEZ (2004)\">\n                        <img loading=\"lazy\" decoding=\"async\" width=\"344\" height=\"600\" src=\"https:\/\/juansilio.com\/web\/wp-content\/uploads\/2020\/12\/alvargonzalezestudio_excerpt-550x960.jpg\" class=\"attachment-ottar_edge_portrait size-ottar_edge_portrait wp-post-image\" alt=\"\" \/>                    <\/a>\n                <\/div>\n        <div class=\"edgtf-bli-content\">\n            \n            \n<h4 itemprop=\"name\" class=\"entry-title edgtf-post-title\" >\n<a itemprop=\"url\" href=\"https:\/\/juansilio.com\/en\/chema-alvargonzalez-2004\/\" title=\"CHEMA ALVARGONZ\u00c1LEZ (2004)\">\n        CHEMA ALVARGONZ\u00c1LEZ (2004)    <\/a>\n<\/h4>\n                    <div class=\"edgtf-post-excerpt-holder\">\n            <p itemprop=\"description\" class=\"edgtf-post-excerpt\">\n                Chema Alvargonz\u00e1lez (1960\u20132009) nos ofrece dos fotograf\u00edas de la \u00e9poca de sus trabajos sobre las ciudades. Im\u00e1genes que se estructuran en torno a una visi\u00f3n central y una visi\u00f3n residual perif\u00e9rica, que nos hablan de los m\u00e1rgenes de lo percibido            <\/p>\n        <\/div>\n                    <div class=\"edgtf-post-read-more-button\">\n        <a itemprop=\"url\" href=\"https:\/\/juansilio.com\/en\/chema-alvargonzalez-2004\/\" target=\"_self\"  class=\"edgtf-btn edgtf-btn-medium edgtf-btn-simple edgtf-blog-list-button\"  >            <span class=\"edgtf-btn-text\">Read more<\/span>            <\/a>    <\/div>\n        <\/div>\n    <\/div>\n<\/li><li class=\"edgtf-bl-item edgtf-item-space\">\n    <div class=\"edgtf-bli-inner\">\n        \n    <div class=\"edgtf-post-image\">\n                <a itemprop=\"url\" href=\"https:\/\/juansilio.com\/en\/antonio-forgue-2004\/\" title=\"ANTONIO FORGU\u00c9 (2004)\">\n                        <img loading=\"lazy\" decoding=\"async\" width=\"372\" height=\"600\" src=\"https:\/\/juansilio.com\/web\/wp-content\/uploads\/2020\/12\/forque_1_excerpt-550x886.jpg\" class=\"attachment-ottar_edge_portrait size-ottar_edge_portrait wp-post-image\" alt=\"\" \/>                    <\/a>\n                <\/div>\n        <div class=\"edgtf-bli-content\">\n            \n            \n<h4 itemprop=\"name\" class=\"entry-title edgtf-post-title\" >\n<a itemprop=\"url\" href=\"https:\/\/juansilio.com\/en\/antonio-forgue-2004\/\" title=\"ANTONIO FORGU\u00c9 (2004)\">\n        ANTONIO FORGU\u00c9 (2004)    <\/a>\n<\/h4>\n                    <div class=\"edgtf-post-excerpt-holder\">\n            <p itemprop=\"description\" class=\"edgtf-post-excerpt\">\n                Las constelaciones org\u00e1nicas de Antonio Forgu\u00e9 (1952) se pueden incluir entre los procesos pict\u00f3ricos de investigaci\u00f3n que giran en torno a las cualidades intr\u00ednsecas del medio, a los incidentes materiales que desencadenan los juegos l\u00edquidos de la propia pintura, seres            <\/p>\n        <\/div>\n                    <div class=\"edgtf-post-read-more-button\">\n        <a itemprop=\"url\" href=\"https:\/\/juansilio.com\/en\/antonio-forgue-2004\/\" target=\"_self\"  class=\"edgtf-btn edgtf-btn-medium edgtf-btn-simple edgtf-blog-list-button\"  >            <span class=\"edgtf-btn-text\">Read more<\/span>            <\/a>    <\/div>\n        <\/div>\n    <\/div>\n<\/li><li class=\"edgtf-bl-item edgtf-item-space\">\n    <div class=\"edgtf-bli-inner\">\n        \n    <div class=\"edgtf-post-image\">\n                <a itemprop=\"url\" href=\"https:\/\/juansilio.com\/en\/jose-manuel-ciria-2003\/\" title=\"JOSE MANUEL CIRIA (2003)\">\n                        <img loading=\"lazy\" decoding=\"async\" width=\"372\" height=\"600\" src=\"https:\/\/juansilio.com\/web\/wp-content\/uploads\/2020\/12\/ciriarojo_excerpt-550x886.jpg\" class=\"attachment-ottar_edge_portrait size-ottar_edge_portrait wp-post-image\" alt=\"\" \/>                    <\/a>\n                <\/div>\n        <div class=\"edgtf-bli-content\">\n            \n            \n<h4 itemprop=\"name\" class=\"entry-title edgtf-post-title\" >\n<a itemprop=\"url\" href=\"https:\/\/juansilio.com\/en\/jose-manuel-ciria-2003\/\" title=\"JOSE MANUEL CIRIA (2003)\">\n        JOSE MANUEL CIRIA (2003)    <\/a>\n<\/h4>\n                    <div class=\"edgtf-post-excerpt-holder\">\n            <p itemprop=\"description\" class=\"edgtf-post-excerpt\">\n                Las litograf\u00edas de Jos\u00e9 Manuel Ciria (1960) se inscriben en su apuesta por ocupar un espacio espec\u00edficamente pict\u00f3rico. Pertenecen a la \u00e9poca de sus Parajes binarios, lugares, encrucijadas en las que la acci\u00f3n se detiene, en las que los elementos            <\/p>\n        <\/div>\n                    <div class=\"edgtf-post-read-more-button\">\n        <a itemprop=\"url\" href=\"https:\/\/juansilio.com\/en\/jose-manuel-ciria-2003\/\" target=\"_self\"  class=\"edgtf-btn edgtf-btn-medium edgtf-btn-simple edgtf-blog-list-button\"  >            <span class=\"edgtf-btn-text\">Read more<\/span>            <\/a>    <\/div>\n        <\/div>\n    <\/div>\n<\/li><li class=\"edgtf-bl-item edgtf-item-space\">\n    <div class=\"edgtf-bli-inner\">\n        \n    <div class=\"edgtf-post-image\">\n                <a itemprop=\"url\" href=\"https:\/\/juansilio.com\/en\/patricia-gadea-2002\/\" title=\"PATRICIA GADEA (2002)\">\n                        <img loading=\"lazy\" decoding=\"async\" width=\"372\" height=\"600\" src=\"https:\/\/juansilio.com\/web\/wp-content\/uploads\/2020\/12\/gadeapayaso_excerpt-550x886.jpg\" class=\"attachment-ottar_edge_portrait size-ottar_edge_portrait wp-post-image\" alt=\"\" \/>                    <\/a>\n                <\/div>\n        <div class=\"edgtf-bli-content\">\n            \n            \n<h4 itemprop=\"name\" class=\"entry-title edgtf-post-title\" >\n<a itemprop=\"url\" href=\"https:\/\/juansilio.com\/en\/patricia-gadea-2002\/\" title=\"PATRICIA GADEA (2002)\">\n        PATRICIA GADEA (2002)    <\/a>\n<\/h4>\n                    <div class=\"edgtf-post-excerpt-holder\">\n            <p itemprop=\"description\" class=\"edgtf-post-excerpt\">\n                Los monotipos de Patricia Gadea (1960\u20132006) son representativos de su concepci\u00f3n del arte como actividad llena de iron\u00eda, humor y delirio, de una cr\u00edtica radical y rupturista para la que es m\u00e1s importante la idea que la realizaci\u00f3n final. Est\u00e1n            <\/p>\n        <\/div>\n                    <div class=\"edgtf-post-read-more-button\">\n        <a itemprop=\"url\" href=\"https:\/\/juansilio.com\/en\/patricia-gadea-2002\/\" target=\"_self\"  class=\"edgtf-btn edgtf-btn-medium edgtf-btn-simple edgtf-blog-list-button\"  >            <span class=\"edgtf-btn-text\">Read more<\/span>            <\/a>    <\/div>\n        <\/div>\n    <\/div>\n<\/li><li class=\"edgtf-bl-item edgtf-item-space\">\n    <div class=\"edgtf-bli-inner\">\n        \n    <div class=\"edgtf-post-image\">\n                <a itemprop=\"url\" href=\"https:\/\/juansilio.com\/en\/jordi-teixidor-2001\/\" title=\"JORDI TEIXIDOR (2001)\">\n                        <img loading=\"lazy\" decoding=\"async\" width=\"400\" height=\"454\" src=\"https:\/\/juansilio.com\/web\/wp-content\/uploads\/2020\/12\/teixidornegro_excerpt-550x624.jpg\" class=\"attachment-ottar_edge_portrait size-ottar_edge_portrait wp-post-image\" alt=\"\" \/>                    <\/a>\n                <\/div>\n        <div class=\"edgtf-bli-content\">\n            \n            \n<h4 itemprop=\"name\" class=\"entry-title edgtf-post-title\" >\n<a itemprop=\"url\" href=\"https:\/\/juansilio.com\/en\/jordi-teixidor-2001\/\" title=\"JORDI TEIXIDOR (2001)\">\n        JORDI TEIXIDOR (2001)    <\/a>\n<\/h4>\n                    <div class=\"edgtf-post-excerpt-holder\">\n            <p itemprop=\"description\" class=\"edgtf-post-excerpt\">\n                Las litograf\u00edas sobre piedra de Jordi Teixidor (1941) son obras realizadas tras la lenta evoluci\u00f3n de su trabajo titulado Las Contradicciones, que le conduce a series de cuadros negros sobre los que aparecen rastros dorados, que evolucionan hacia estas huellas            <\/p>\n        <\/div>\n                    <div class=\"edgtf-post-read-more-button\">\n        <a itemprop=\"url\" href=\"https:\/\/juansilio.com\/en\/jordi-teixidor-2001\/\" target=\"_self\"  class=\"edgtf-btn edgtf-btn-medium edgtf-btn-simple edgtf-blog-list-button\"  >            <span class=\"edgtf-btn-text\">Read more<\/span>            <\/a>    <\/div>\n        <\/div>\n    <\/div>\n<\/li><li class=\"edgtf-bl-item edgtf-item-space\">\n    <div class=\"edgtf-bli-inner\">\n        \n    <div class=\"edgtf-post-image\">\n                <a itemprop=\"url\" href=\"https:\/\/juansilio.com\/en\/joaquin-capa-2001\/\" title=\"JOAQU\u00cdN CAPA (2001)\">\n                        <img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"600\" src=\"https:\/\/juansilio.com\/web\/wp-content\/uploads\/2020\/12\/capaazul_excerpt-550x1100.jpg\" class=\"attachment-ottar_edge_portrait size-ottar_edge_portrait wp-post-image\" alt=\"\" \/>                    <\/a>\n                <\/div>\n        <div class=\"edgtf-bli-content\">\n            \n            \n<h4 itemprop=\"name\" class=\"entry-title edgtf-post-title\" >\n<a itemprop=\"url\" href=\"https:\/\/juansilio.com\/en\/joaquin-capa-2001\/\" title=\"JOAQU\u00cdN CAPA (2001)\">\n        JOAQU\u00cdN CAPA (2001)    <\/a>\n<\/h4>\n                    <div class=\"edgtf-post-excerpt-holder\">\n            <p itemprop=\"description\" class=\"edgtf-post-excerpt\">\n                Joaqu\u00edn Capa (1941) desarrolla su obra en el territorio de una abstracci\u00f3n mat\u00e9rica ligada a las t\u00e9cnicas del grabado y a la sensualidad de sus m\u00faltiples cualidades. Su obra se inscribe en la l\u00ednea de una abstracci\u00f3n l\u00edrica que busca            <\/p>\n        <\/div>\n                    <div class=\"edgtf-post-read-more-button\">\n        <a itemprop=\"url\" href=\"https:\/\/juansilio.com\/en\/joaquin-capa-2001\/\" target=\"_self\"  class=\"edgtf-btn edgtf-btn-medium edgtf-btn-simple edgtf-blog-list-button\"  >            <span class=\"edgtf-btn-text\">Read more<\/span>            <\/a>    <\/div>\n        <\/div>\n    <\/div>\n<\/li>        <\/ul>\n    <\/div>\n        <div class=\"edgtf-blog-pag-loading\">\n        <div class=\"edgtf-blog-pag-bounce1\"><\/div>\n        <div class=\"edgtf-blog-pag-bounce2\"><\/div>\n        <div class=\"edgtf-blog-pag-bounce3\"><\/div>\n    <\/div>\n\t        <div class=\"edgtf-bl-standard-pagination\">\n            <ul>\n                <li class=\"edgtf-bl-pag-prev\">\n                    <a href=\"#\" data-paged=\"1\"><span class=\"icon-arrows-left\"><\/span><\/a>\n                <\/li>\n\t\t\t\t\t\t\t\t\t                    <li class=\"edgtf-bl-pag-number edgtf-bl-pag-active\">\n                        <a href=\"#\" data-paged=\"1\">1<\/a>\n                    <\/li>\n\t\t\t\t\t\t\t\t\t                    <li class=\"edgtf-bl-pag-number \">\n                        <a href=\"#\" data-paged=\"2\">2<\/a>\n                    <\/li>\n\t\t\t\t                <li class=\"edgtf-bl-pag-next\">\n                    <a href=\"#\" data-paged=\"2\"><span class=\"icon-arrows-right\"><\/span><\/a>\n                <\/li>\n            <\/ul>\n        <\/div>\n\t<input type=\"hidden\" id=\"edgtf_blog_load_more_nonce_4148\" name=\"edgtf_blog_load_more_nonce_4148\" value=\"7e7b35c58e\" \/><input type=\"hidden\" name=\"_wp_http_referer\" value=\"\/en\/wp-json\/wp\/v2\/pages\/3659\" \/><\/div>[\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>[vc_row][vc_column][\/vc_column][\/vc_row]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-3659","page","type-page","status-publish","hentry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.6 - 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