{"id":4147,"date":"2015-04-15T00:00:00","date_gmt":"2015-04-14T22:00:00","guid":{"rendered":"https:\/\/39683148.servicio-online.net\/web\/exposiciones\/noe-sendas-fugitiva\/"},"modified":"2021-01-18T19:43:08","modified_gmt":"2021-01-18T18:43:08","slug":"noe-sendas-fugitiva","status":"publish","type":"exposiciones","link":"https:\/\/juansilio.com\/en\/exposiciones\/noe-sendas-fugitiva\/","title":{"rendered":"NO\u00c9 SENDAS &#8220;FUGITIVA&#8221;"},"content":{"rendered":"<p><strong>No\u00e9 Sendas<\/strong> (Bruselas, 1972) expone por primera vez en la Galer\u00eda Juan Sili\u00f3 presentando \u201cFugitiva\u201d, exposici\u00f3n donde el artista, m\u00e1s que relatar ausencias o evocar memorias, pretende explorar la idea de \u201cpausa en movimiento\u201d, fijando el instante en el que el tiempo parece suspendido en la subjetividad del artista. Entre la experiencia real y el sue\u00f1o existe un silencio que confronta al espectador con la extra\u00f1eza de su propia percepci\u00f3n y, simult\u00e1neamente, con la inquietud y la incomodidad del propio artista.<\/p>\n<p>Las obras de peque\u00f1o formato presentadas son fruto de la edici\u00f3n y manipulaci\u00f3n de fotograf\u00edas antiguas encontradas por el autor, im\u00e1genes de \u00e9pocas pasadas, de autores y protagonistas an\u00f3nimos que son integradas dentro de su proceso de trabajo y transformadas en otras im\u00e1genes diferentes. Sendas manipula la imagen como el escultor la piedra, a trav\u00e9s de un procedimiento de sustracci\u00f3n, eliminaci\u00f3n y fragmentaci\u00f3n, una suerte de collage invertido o un-collage que en lugar de a\u00f1adir capas a la imagen las resta, reconstruye la relaci\u00f3n cl\u00e1sica entre fondo y figura para generar ilusiones que alteran la percepci\u00f3n.<\/p>\n<p>Adem\u00e1s de un inter\u00e9s por subvertir el procedimiento habitual de la fotograf\u00eda y de poner en evidencia la tensi\u00f3n existente entre el autor que produce im\u00e1genes y el que las edita, en la obra de Sendas afloran tambi\u00e9n constantes art\u00edsticas cl\u00e1sicas, como la idea de la belleza femenina como motor de creaci\u00f3n; o el coleccionismo, entendido como acumulaci\u00f3n de est\u00edmulos y dispositivo expositivo.<\/p>\n<p>Sendas estudi\u00f3 en el Instituto de Arte de Chicago, USA; en la Real Academia de las Artes de Londres y ArCo y Atelier Livre en Lisboa. Ha recibido numerosas becas y premios como Cit\u00e9 International des Arts, Paris; Kunstlerhaus Bethanien, Berl\u00edn; Casa de Velazquez, Madrid, Contretype \u2013 Centre d\u2019art contemporain pour la Photographie, Bruselas, Uni\u00e3o Latina Prize en Portugal, Fundaci\u00f3n Calouste Gulbenkian, Reading University, Londres o Instituto Camoes.<\/p>\n<p>Su trabajo ha sido exhibido en ADK Akademie der kunst (Berl\u00edn); Casa de Am\u00e9rica (Madrid); Centro de Arte Helio Oiticica (Brasil); Contretype (Bruselas); Culturgest &#8211; Funda\u00e7\u00e3o CGD (Portugal); Funda\u00e7\u00e3o Calouste Gulbenkian (Lisboa); Funda\u00e7\u00e3o EDP (Lisboa); Fundaci\u00f3n Bot\u00edn, (Santander); Fundaci\u00f3n Canal &#8211; Canal de Isabel II, (Madrid); Fundaci\u00f3n ICO (Madrid); Gemeentmuseum den Haag (La Haya, Holanda); K\u00fcnstlerhaus Bethanien, (Berl\u00edn); Kunstmuseum Bonn, (Bonn, Alemania); LAA Alameda Art Laboratory, (M\u00e9xico); Le Plateau &#8211; Centro de Arte Contempor\u00e1neo (Paris); MACUF Museo de Arte Contempor\u00e1neo Gas Natural Fenosa, (Coru\u00f1a); MARCO Museo de Arte Contempor\u00e1neo de Vigo, (Vigo); MEIAC Museo Extreme\u00f1o Iberoamericano de Arte Contempor\u00e1neo, (Badajoz); MNAC Museu Nacional de Arte Contempor\u00e1neo &#8211; Museo de Chiado, (Lisboa); Museo Berardo, (Lisboa); Patio Herreriano Museo Contempor\u00e1neo Espa\u00f1ol, (Valladolid); Centro para las Artes Yerba Buena (S. Francisco, USA) entre otros.<\/p>\n<p>Su obra forma parte de numerosas colecciones como Antonio Cachola, Museo Elvas, Portugal; Ar.Co, Lisboa; BES Photo, Lisboa; Caloust Gulbenkian Foundation, Lisboa; CAV Foundation, Coimbra, Portugal; Caixa Geral Depositos\/ Culturgest, Lisboa; EDP Foundation, Lisboa, Contretype Centre d`Art Contemporain, Bruselas; Leal Rios Foundation, Lisboa; L\u2019Wren Scott, Londres; MEIAC Museum, Badajoz, Espa\u00f1a; Michael Hoppen Collection, Londres; PLMJ, Lisboa adem\u00e1s de numerosas colecciones privadas en Alemania, Espa\u00f1a, Holanda, M\u00e9xico, Portugal, Per\u00fa, Suecia, Turqu\u00eda y Reino Unido, entre otros.<\/p>\n<p>\nFUGITIVA<br \/>\n18 de abril- 30 de mayo 2015<br \/>\nNo\u00e9 Sendas<\/p>\n<p>           Galer\u00eda Juan Sili\u00f3<br \/>\nC\/ Sol 45, bajo. 39003 Santander.<br \/>\nHorario: 10:30 \u2013 13:30 h.<br \/>\n  \t18:00 \u2013 21:00 h.<br \/>\n(Inauguraci\u00f3n: 18 de abril, 20\u201900h)<\/p>\n","protected":false},"featured_media":0,"template":"","expos_categories":[66,50],"class_list":["post-4147","exposiciones","type-exposiciones","status-publish","hentry","expos_categories-2015-en","expos_categories-santander-en"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.7 - 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