{"id":4087,"date":"2020-07-17T00:00:00","date_gmt":"2020-07-16T22:00:00","guid":{"rendered":"https:\/\/39683148.servicio-online.net\/web\/exposiciones\/santander-jacobo-castellano-trashumante-a-cuestas\/"},"modified":"2021-04-27T13:22:05","modified_gmt":"2021-04-27T11:22:05","slug":"santander-jacobo-castellano-trashumante-a-cuestas","status":"publish","type":"exposiciones","link":"https:\/\/juansilio.com\/en\/exposiciones\/santander-jacobo-castellano-trashumante-a-cuestas\/","title":{"rendered":"JACOBO CASTELLANO. &#8220;Trashumante (a cuestas)&#8221;"},"content":{"rendered":"<p>Entitling the exhibition as &#8220;Trashumante (a cuestas)&#8221; Jacobo Castellano presents his latest works in his first solo exhibition in Santander\u2019s Gallery. The exhibition is held in collaboration with the Swiss gallery Mai 36 Galerie in Zurich. On this occasion, a conjunction of sculptures and oil paintings are shown, which take us back to tradition and the past.<\/p>\n<p>To get to this, he reuses and recontextualizes materials, such as old beams or objects that he incessantly looks for in antique shops, flea-markets and other places. These objects, which emanate their own history, collect the artist&#8217;s own memories in his assemblages, giving place to works of great intensity and personal meaning. However, on many occasions that personal motive, that trip to the past, connects with the observer\u2019s own past, thus linking artist, work and visitor.<\/p>\n<p>As a Andalusian settled in Madrid, Castellano performs his particular transhumance several times a year. Two constants can be found in the exhibition: on the one hand, the walking sticks, which lead us to identify the act of the long journey, the accumulation of experiences and, on the other, the use of the olive tree, through which he takes us to his native Ja\u00e9n. This regular and periodic round trip that shepherds still make in the province of Ja\u00e9n, is remembered in two of the larger pieces: <em>Campano<\/em> and <em>Pastor<\/em>. In the first one, a structure is remembering the remains of a construction, such as a small cabin or shelter that were used during breaks from long days on foot, cane in hand. In the second one, the most prominent material is the olive tree, inevitably identified with the Andalusian landscape and the shade in which ranchers and farmers have rested for centuries. Accompanying this peculiar recreation of the Andalusian transhumance elements are two <em>Tr\u00e9bedes<\/em>, now almost in disuse and which can be seen almost exclusively in ethnographic museums, and a <em>Hoguera<\/em>, elements not only characteristic of these long seasonal trips, but also of many summer nights in rural areas by starlight. Those starry skies, difficult to see nowadays even in areas close to population centres due to light pollution, are also present in the exhibition: it is the <em>Constelaciones<\/em> series, linens with numerous layers of oil intervened with tools more typical of sculpture than painting, which surround us to recreate those nocturnal landscapes that can still be enjoyed in the countryside.<\/p>\n<p>As it has already been deduced in some of the previous pieces, in Castellano&#8217;s work, memory, his own childhood memories, has a special relevance, which is especially reflected in this exhibition. It was an important moment when he was diagnosed with a strong allergy to milk that has greatly influenced his life. A memory of this is <em>Licor de leche<\/em>, on which he has written a recipe for this drink on a stick. In <em>Puerta<\/em>, he takes us back to his summers in the village of Villargordo, to the cinema that his grandfather had and that did not need any signage because it was the only one in the area. Opening a cinema in rural areas in Spanish mid twentieth century, represented a revolution for the people in the area (it is inevitably thinking of <em>Cinema Paradiso<\/em>), who discovered not only a new way of entertainment, but also a window to imagination, adventures and the discovery of places, stories and lives totally different from theirs.<\/p>\n<p>&nbsp;<\/p>\n<p>Jacobo Castellano is graduated in Fine Arts by University of Granada and currently lives and works in Madrid. His works focus on sculptural experimentation by exploring the concept of memory, reusing objects both his own and collected in stores and flea-markets, giving them a new context, in order to generate images that make an identification both from a personal point of view as well as a collective one, oscillating from the historical to the most immediate present.<br \/>\nAmong his individual works, the recent installation of a public sculpture at the Kartoffelmarkt in Zurich stands out, and the exhibitions at Mai 36 Galerie de Zurich (2020), <em>riflepistolaca\u00f1on<\/em> at Artium (2019), <em>Sobre burlas, juegos y brechas<\/em>, at Centro Jos\u00e9 Guerrero ( 2017), <em>Aprendiendo del Albaic\u00edn<\/em> at Kunsthalle Sao Paulo (2015), <em>Malos tiempos<\/em> at Casal Solleric (2010) or <em>Jacobo Castellano. The Solo Project<\/em> in Basel (2009). He has also been part of collectives at Centro Bot\u00edn, CA2M, MUSAC, Patio Herreriano, Kunst- und Kulturstiftung Opelvillen R\u00fcsselsheim, DA2Artium, Appleton Square Lisboa, Jordan National Gallery of Fine Arts or the Gabarr\u00f3n Foundation. His work is part of collections such as ARTIUM, CAAC, Olor Visual Collection, Pilar Citoler Collection, Sorigu\u00e9 Foundation, Montenmedio Contemporary Art Foundation, Kunstsammlung der Schweizerischen Mobiliar Genossenschaft, DV Foundation, Bot\u00edn Foundation or in the Collection of the Superior Sports Council.<\/p>\n<p>&nbsp;<\/p>\n<h5><strong>TRASHUMANTE (A CUESTAS)<\/strong><\/h5>\n<p>10th August &#8211; 29th September, 2020<br \/>\nJacobo Castellano (Ja\u00e9n, 1976)<\/p>\n<p>Galer\u00eda Juan Sili\u00f3<br \/>\nC\/ Sol 45, bajo. 39003 Santander.<\/p>\n<p>Opening Hours:<br \/>\nMonday &#8211; Saturday,<br \/>\n10.30AM \u2013 1.30PM<br \/>\n18PM \u2013 21PM<\/p>\n<p>&nbsp;<\/p>\n<p>&#8212;<\/p>\n<p>Exhibition subsidised by Ministry of Culture and Sport<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-5061\" src=\"https:\/\/juansilio.com\/web\/wp-content\/uploads\/2020\/02\/Ministerio-Cultura-y-Deporte-300x97.jpg\" alt=\"\" width=\"300\" height=\"97\" srcset=\"https:\/\/juansilio.com\/web\/wp-content\/uploads\/2020\/02\/Ministerio-Cultura-y-Deporte-300x97.jpg 300w, https:\/\/juansilio.com\/web\/wp-content\/uploads\/2020\/02\/Ministerio-Cultura-y-Deporte-768x249.jpg 768w, https:\/\/juansilio.com\/web\/wp-content\/uploads\/2020\/02\/Ministerio-Cultura-y-Deporte.jpg 828w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/p>\n","protected":false},"featured_media":0,"template":"","expos_categories":[56,50],"class_list":["post-4087","exposiciones","type-exposiciones","status-publish","hentry","expos_categories-2020-en","expos_categories-santander-en"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>JACOBO CASTELLANO. &quot;Trashumante (a cuestas)&quot; - Juan Sili\u00f3<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/juansilio.com\/en\/exposiciones\/santander-jacobo-castellano-trashumante-a-cuestas\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"JACOBO CASTELLANO. &quot;Trashumante (a cuestas)&quot; - Juan Sili\u00f3\" \/>\n<meta property=\"og:description\" content=\"Entitling the exhibition as &#8220;Trashumante (a cuestas)&#8221; Jacobo Castellano presents his latest works in his first solo exhibition in Santander\u2019s Gallery. 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