{"id":4085,"date":"2020-08-24T00:00:00","date_gmt":"2020-08-23T22:00:00","guid":{"rendered":"https:\/\/39683148.servicio-online.net\/web\/exposiciones\/santander-pilar-cossio-journal-de-la-seine\/"},"modified":"2021-04-27T13:20:59","modified_gmt":"2021-04-27T11:20:59","slug":"santander-pilar-cossio-journal-de-la-seine","status":"publish","type":"exposiciones","link":"https:\/\/juansilio.com\/en\/exposiciones\/santander-pilar-cossio-journal-de-la-seine\/","title":{"rendered":"PILAR COSS\u00cdO. &#8220;Journal de la Seine&#8221;"},"content":{"rendered":"<p>In this fourth exhibition, which takes part of the second edition of PHotoEspa\u00f1a Santander 2020, Pilar Coss\u00edo presents a photographic project consisting of a series of works, which are different from what she has previously done. This time, the inspirational action is located around the Seine, through <em>R\u00eaveries<\/em>, in the purest sense of baudelairean term. The experience of the walker who abandons himself to the phantasmagorias of the place, to his dreams, entitled <em>Journal de la Seine<\/em>. In this particular oneiric walk the works are presented as fragments close to abstraction, like the scenes of dreams are often presented to us, in a diffuse transition of bright colours with earth.<\/p>\n<p style=\"text-align: right;\">&#8220;The faculty of dreaming is a divine and mysterious faculty, since it is through the dream that man communicates with the world that surrounds him.&#8221;<br \/>\nCharles Baudelaire<\/p>\n<p>&nbsp;<\/p>\n<p>Pilar Coss\u00edo has always known how to combine being a contemporary artist with her vocation as a traveler and a nomad.<\/p>\n<p>Always traveling to extreme places and, as Lord Dunsany confessed: &#8220;her fables and her works did not push her to sustain the certainty and the din of what she had lived, but the mist of what she dreamed of.&#8221;<\/p>\n<p>The dreams of Pilar Coss\u00edo foreshadow in her work the verisimilitude of the object. Homer says about Ulysses that he was on the verge of discovering or revealing himself, of reaching his essence and being Ulysses entirely.<br \/>\nPilar reveals herself&#8230; Indeed.<\/p>\n<p>The fabrics, images and warps, artifacts due to the mind and hand of Pilar Coss\u00edo shine emerging, like something <em>extra-ordinary<\/em>, which when unmasked from all reality conceive the inconceivable, the palpable reality, grown within and beyond the appearances.<\/p>\n<p>The pilgrimage not only physical but also spiritual that Pilar is now making with her series of works <em>Journal de la Seine<\/em>, means a new stage in her personal construction of language.<\/p>\n<p>This time, her unprecedented movements take place in Paris, her city, and more specifically near its river, the Seine, which, as happened during her stay in London with the Thames, becomes (the river) the centre of her inquiries.<\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: right;\">\u201cWho knows how to create loses nothing. Who knows how to create, knows that it is necessary to empty oneself, for creation to take place. Making the void within oneself is the first exercise, the first stage in learning the magnificent art of creation. The blank page that awaits the drawing or the word constantly reminds us that creation is a struggle with emptiness. Things, creatures and their images were created <em>ex nihilo<\/em>.<br \/>\nThere are many reasons for traveling: meet, run away, go to meet the unexpected, follow a trace, a perfume, an allusion. You also travel to write. Displaced, we will find in nostalgia the feeling that leads to expression. This is what poets and painters have done: they have abandoned their home in arrears and have set out on the road to language. Often the journey has turned into transhumance, traveling between two or three places, following the seasons, as herds do. In this way a new form of sedentary lifestyle has been born, a movement that takes temporary possession of different dwellings, never definitive. This is how our artist has done, Pilar Coss\u00edo has traveled the world, settling naturally in each of the chosen places, a brave, extraordinary way of elaborating her unique artistic language\u201d.<\/p>\n<p style=\"text-align: right;\">Nadia Fusini, excerpt from her text <em>El viaje de Pilar Coss\u00edo: Jouissance<\/em>. London<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Pilar Coss\u00edo<\/strong> has transmuted her artistic practice in three directions: light installations and ready-mades; drawing and writing like her last artist books <em>Splendor Solis<\/em> and <em>Splendor Luna<\/em> in Spanish, French and Arabic, and photography. She is one of the references of Spanish Contemporary art, being one of its most international artists. She lives in Paris, but she is always closely linked to Italy, the country where she lived from 1971 to 1999 -except two years spent in London (1990\/92) at the Delfina Studios Trust Foundation, Contemporary Art-. Since 2010 she has carried out projects in Morocco and Lebanon. Selected for the Casablanca Biennale (2012-14-16), she has spent several months in the international residence for contemporary artists (Ifitri-).<\/p>\n<p>Among her most recent exhibitions, &#8220;Caravanserail&#8221;, Galerie Weiller, Paris; &#8220;Caravanserai&#8221; (&#8220;Splendor Solis&#8221;) \u00a0at \u00a0Mashrabia Art Gallery, Instituto Cervantes \u00a0and Embassy of Spain in Cairo, Egypt (2016), Monastery of Subiaco \u00a0Monastery,Rome- Italy: Photographic project (2016), &#8220;Specular Space&#8221; at Faro de Cabo Mayor in Santander (2017). He publishes several artist&#8217;s books, highlighting &#8220;Splendor Solis&#8221; (2015), &#8220;Splendor Luna&#8221; (2017) and travel diaries (Paris &#8211; Beirut), which were presented in Santander, Paris, Tanger, Le\u00f3n or Madrid. Among her latest projects stands out in 2018 &#8220;Fractal Sand&#8221;, at Universidad de Le\u00f3n, Cultural Activities and Campus of Ponferrada \/ Paolo Tonin Arte Contemporaneo, Turin and in 2019 in Tangier, Instituto Cervantes. This 2020 she will participate in PhotoEspa\u00f1a with Juan Sili\u00f3 Gallery and individual exhibitions are taking place at the Altamira Museum and the Central Library of Cantabria. Also in August 2020, she participated in the project &#8220;Video d&#8217;artista&#8221; &#8211;<em>Tuk Music exhibition- <\/em>\u00a0Time in Jazz in Sardegna, Italy.<\/p>\n<p>&nbsp;<\/p>\n<h5><strong>JOURNAL DE LA SEINE<\/strong><\/h5>\n<p>1st October &#8211; 8th December, 2020<br \/>\nPilar Coss\u00edo<\/p>\n<p>Galer\u00eda Juan Sili\u00f3<br \/>\nC\/ Sol 45, bajo. 39003 Santander.<\/p>\n<p>Opening Hours:<br \/>\nMonday &#8211; Saturday,<br \/>\n10.30AM \u2013 1.30PM<br \/>\n6PM \u2013 9PM<\/p>\n<p>&#8212;<\/p>\n<p>Exhibition subsidised by Ministry of Culture and Sport<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-5061\" src=\"https:\/\/juansilio.com\/web\/wp-content\/uploads\/2020\/02\/Ministerio-Cultura-y-Deporte-300x97.jpg\" alt=\"\" width=\"300\" height=\"97\" srcset=\"https:\/\/juansilio.com\/web\/wp-content\/uploads\/2020\/02\/Ministerio-Cultura-y-Deporte-300x97.jpg 300w, https:\/\/juansilio.com\/web\/wp-content\/uploads\/2020\/02\/Ministerio-Cultura-y-Deporte-768x249.jpg 768w, https:\/\/juansilio.com\/web\/wp-content\/uploads\/2020\/02\/Ministerio-Cultura-y-Deporte.jpg 828w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/p>\n<p>&nbsp;<\/p>\n","protected":false},"featured_media":3119,"template":"","expos_categories":[56,50],"class_list":["post-4085","exposiciones","type-exposiciones","status-publish","has-post-thumbnail","hentry","expos_categories-2020-en","expos_categories-santander-en"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.6 - 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