irene grau – Museo Nacional y Centro de Investigación de Altamira
brillo abrigo There are no eyes that inhabit that shine anymore. In fact, if it weren’t for the occasional flashlights of the researchers, it would no longer exist. That shine is
Carlos Irijalba – NYC Culture PAIR
Joined an Avalanche, Never to be Alone Again is a temporary three-part installation by artist Carlos Irijalba, developed in the context of the East Side Coastal Resiliency (ESCR) project on
Irene de Andrés – Facultad de Bellas Artes de la Universidad Complutense de Madrid
350 páginas A bullet can penetrate to a depth of about 350 pages, according to one of the combatants who used incunabula, encyclopaedias and even Bibles as shields from enemy fire
Miguel Ángel Tornero – Museo Nacional y Centro de Investigación de Altamira
Rockstar Caves are places where we are granted the privilege of contemplating the earth’s intimacy. Accidents that reveal a secret seemingly not meant to be disclosed to humans. When venturing inside,
Belén Rodríguez – Museo Patio Herreriano de Arte Contemporáneo Español
Sal metálica “Metallic Salt”, addresses the space as an extension of the “pictorial”, a logical consequence of the evolution of her most recent work, whose core interest lies in the reformulation
Juan López – Museo Nacional y Centro de Investigación de Altamira
.txtform In “.txtform”, Juan López explores parallels between artistic production in the Quaternary period and contemporary communication systems, creating a reinterpretation—a translation—into a new system of communication based on the signs
Núria Fuster – Centro Conde Duque
Sueños Geológicos If we think of the sequence of geological events in the history of our own existence, everything, everything we now call the world, emerges from a cloud of dust
irene grau, Juan López – Fundación Cerezales Antonio y Cinia
A punto de ser nada A punto de ser nada was conceived as a kind of ghost library. It preserves landscapes on the brink of disappearance. It presents, in a survey